One of the surest signs of good material is the ongoing reinvention it receives from subsequent artists. Such is the case with pianist Gino Amato‘s new album, Latin Crossroads. Besides his mesmerizing musicianship at the keys, the album also offers a glimpse into another of his profound talents—as an arranger. On the disc, he and a stellar group of musicians perform Latinized versions of familiar songs. It is a refreshing listen to some beloved songs as they are given new life. The collection includes inspiration from the Beatles, Broadway (Bernstein/Sondheim, Rodgers/Hart, Lerner/Loewe), classical music (Rodrigo, Tchaikovsky), and slightly more contemporary material (James Taylor, Steely Dan, Thelonious Monk). There are also songs by Michel Legrand, Jayce Everett, and Donal Fagen, proving that Amato’s taste is as varied as it is sublime.

The songs receive performances that transform them into Afro-Cuban instant classics. Amato’s playful sense of rhythm is often the driving artistic force —particularly the contributions from superb drummer Clint de Ganon— and it pays off in unexpected and remarkable ways. Giving the album even more allure are the lead vocalists—including Janis Siegel, Robin McKelle, Margo Rey, Claudette Sierra, Arnold McCuller, Kevin Osborne—who are all ideal for the the songs they deliver.